Publication planning meeting – by Sonal Mistry

Following our initial publication planning meeting in May, team New Focus had the opportunity to view a rough flat plan of the publication on the 20th of July. This meeting was focussed on our initial thoughts of the design, with how the pages worked next to each other and how the photographers were placed within the draft. One element that we focussed on, was the look of the front cover, which we had several designs to compare and articulate from.

We had many designs which included layering of text for the title, as well as a simpler yet bold design which we all decided upon. Whilst going through the designs, as a group we preferred the bold pink lettering with a khaki background. Everyone liked how the hot pink stood out against the khaki green as well as the way the colour pink creates a relationship with the Impressions Gallery. We have chosen to use hot pink foil for the lettering which was suggested by Andy our designer, as this will help create more contrast between the colours and in one of the members Megan’s terms will help make the lettering “POP, POP, POP”.

We then went through the flat plan, deciding which layouts we liked and whether the colours worked well. There was a suggestion to use different colours to separate the book; this could be by using different colours for each woman photographer, or keeping to a limit of 3 colours which flowed throughout the publication. Within the draft everyone liked the way orange, green and blue worked well together. These colours had an impact against the black and white photography, and created a bold background which we all liked. We could also use the colour scheme to create a key for the timeline of the photographers we want to include in the publication. For this timeline, everyone liked the idea of having a concertina fold within the book, which you could pull out for teachers to use or it would just fold out of the book.

Next up we looked at the choice of typeface that we wanted to use. Andy used ‘Grotesque No.9’ a typeface which dates back to 1906 which was popular during WW1 and links well with our unconventional subject of women photographers in WW1.


We all really liked the typeface and thought it worked really well for the headings and alongside the imagery. Then we moved onto the feel and overall look of the book. We want the publication to have an old and handmade quality. Some of the members mentioned the photo albums we saw at the archives and how they had torn edges and the texture of the paper was quite rough. This could be something we could try to create with our publication and there was a suggestion of using off white paper stock at 170gsm, which could help create the aged look.

When looking at the draft we realised there wasn’t a big link back to New Focus throughout it. We decided that we need to include the logo on the front cover and that we want to include pictures of the members within the publication. We came up with the idea of having a New Focus timeline as well as the photographers but that might be a bit confusing. Then there was a suggestion of having a separate book which was about the New Focus journey, which involved the process of designing the publication, you could call it a ‘behind the scenes’ styled book.

The last point we discussed is how we want to create an interactive element when we send the publications to schools. There were lots of ideas but some that everyone liked included trying to get schools to take a photo with the publication and use the hashtag to document the photo, and for the feedback, use the question of ‘who is your female idol?’ to get the audience to interact. Everyone liked the idea of using social media because it engages and is used a lot by our target demographic.

We would like to say a special thank you to Andy Edwards our designer for helping us bring this project to life.

By Sonal Mistry

This project is supported by the National Lottery through the Heritage Lottery Fund ‘Young Roots’ scheme

 

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Publication planning meeting by Ione Collins

Following our visit to London’s Imperial War Museum in mid-May, where we were able to visit both the museum and the photography archive, our meeting on the 18th of May was focussed on choosing which of our female photographers we wanted our publication to revolve around, and which of their photos we found most suitable. We also aimed to begin designing a layout for the pages, using Olive Edis as our template.

We discussed our thoughts on Olive Edis, Florence Farmborough, Christina Broom, Mairi Chisholm, and Elsie Knocker, starting with Edis. One photo that seemed to arouse interest in the group was a photograph showing three different roles in wartime healthcare –patient, nurse, and doctor- which we found empowering because of the rarity of the sight of a female doctor at that time. We found that many of Edis’ compositions were inspired by the great 17th century Dutch painter Johannes Vermeer, and certainly this one in particular which seemed to resemble something in-between ‘The Milkmaid’, ‘Christ in the House of Martha and Mary’ and ‘Lady Writing a Letter with her Maid’. A digitisation of the photo can be found on the IWM website by searching for ‘Q8059’.

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Next on the list was Farmborough, whose self portraits we took a particular liking to. We agreed that it was a pleasant change to see the face of the lady we were researching; we were able to feel connected to her and identify with her to a greater extent (see Q107169, Q107166). Many of us wondered why she would have taken self portraits, and one New Focus member Megan said ‘’Well we take selfies!’’. Jen added that perhaps she did it to ‘’hold a memory’’ or ‘’show her pride’’!

We then turned to Chisholm and Knocker, as well as Broom. A mixture of melancholy, heavy, social, exciting, and captivating photographs were chosen, one of particular interest being Chisholm and Knocker’s ‘see-saw photo’, whereby a game of roulette against incoming bullets over the top would be played!

Because of our adoration of these female photographers and their work, we all found it difficult to choose just five photos for each woman; compromises and swaps were made, and Pippa reminded us that ‘’Sometimes you just have to lose your favourite picture’’. Over plentiful tea and biscuits we all came to unanimity and moved on to the designing of the page layout. We considered text contents, text layouts, essays, notes, pullouts, image sizes, positioning, quotes, opinions, stories, and colours and collated all of our ideas to hand over to designer Andy who would help us with the composition drafts.

With the photo content and composition ideas in flow, we are all excited to get cracking on with making this New Focus project the most empowering and inspirational one yet! We’re all incredibly grateful for the HLF’s help and cannot wait until the next meeting!

By Ione Collins

This project is supported by the National Lottery through the Heritage Lottery Fund ‘Young Roots’ scheme

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Visit to the Imperial War Museum by Sarah Bartey

On Sunday 14 May Team New Focus ventured to the Imperial War Museum in London. We had all been looking forward to the trip since we started the project back in autumn last year and for me it has been one of the major highlights of the project so far. For lots of us it was our first time visiting the Imperial War Museum and for some members it was their first-time visiting London! Weary eyed but full of excitement, we caught an early train from Bradford at 9:00am.

We stayed at the Days Hotel, Waterloo, just a 5-minute walk from the Imperial War Museum. Once we had checked in at the hotel and dropped off our bags. We had lunch in the gardens of the museum. This gave us all afternoon to look around, starting with the WWI gallery. The gallery was very impressive and covered all aspects of the First World War, including the roles of women. Once we had finished looking around the WWI gallery we had some time to look around the rest of the museum. I wish we had more time to see everything, but it would probably take a whole two days to look around the entire museum.

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The next day, we visited the Imperial War Museum Archive, where we met with world-famous curator of photography Hilary Roberts, who provided us with an inspiring and insightful talk on the history of the museum and women in war photography. She spoke of how ‘training and profession are not everything’ and for many conflict photographers ‘access is key’. This is certainly true for many of the female photographers we have been learning about.

During our research session at the archive we looked at albums relating to Olive Edis, Florence Farmborough, and a professional photographer who we hadn’t come across before, Christina Broom, who was commissioned to photograph guard’s regiments and household cavalry and became an official photographer for the Royal family. We split up into three groups each focusing on a different photographer, and we picked two of our favourite images to write about. We then swapped around and looked at the other albums. It was difficult to pick just two photographs to focus on as there were so many thought-provoking images. The whole experience was very special and completely different to viewing the photographs online. I felt we could connect with the physical photographs and the stories they told on a much deeper level than we were able to from viewing them online.

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After lunch, we discussed as a team the images we had chosen, what we thought they depicted and why we had chosen them. Before heading home, we were also given a mini tour behind the scenes of the archive and a final chance to look around the museum.

We are all extremely grateful the staff at the Imperial War Museum Archive for allowing us to visit and we would also like to offer special thanks to Hilary Roberts for her time and help.

This project is supported by the National Lottery through the Heritage Lottery Fund ‘Young Roots’ scheme

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‘Reprinting the Women’s International League for Peace and Freedom printing blocks’ by Sarah Bartey

On Thursday 11 May, Team New Focus took a visit to Leeds Beckett University, with Collections and Outreach Officer Charlotte Hall from The Peace Museum, Bradford. The purpose of the visit was to try and reprint images relating to the 1919 Women’s International League for Peace and Freedom (WILPF) conference in Zurich using printing blocks made from copper and wood found in The Peace Museum collection. Each copper plate had a negative image made up of dots, a process called half-tone. This is a mechanical process used at the beginning of the 20th century to reproduce images in newspapers.

Upon our arrival at the University, we met with Andy Edwards, lecturer at Leeds Beckett and designer of our publication No Man’s Land. Andy showed us the printing facilities and introduced us to other staff members who helped us with the printing process. There was a huge range of many different printing machines. Our first attempt at reprinting was made using one of the oldest looking machines in the room, an Albion Press. The process of using this machine involved hand rolling ink onto the copper side of the printing block, placing it on the press, lowering paper onto the block, rolling it under the press, and pulling a lever to press the paper onto the block.

At first, we were uncertain as to how the images would turn out, and whether the process would even work, as the blocks are so old. But we were soon amazed. The images came out so well. New Focus member Ben commented on how the images were ‘brought to life’ through the printing process. It was brilliant to see the images how they would have been seen at the time, and not just from the blocks.

We were also given the opportunity to use the press ourselves, which was a fun experience. Every print was completely unique and some came out better than others, depending on how much ink was placed on the plate. We even experimented with some fun colours like bright pink!

 

© Peace Museum, Bradford

 

© Peace Museum, Bradford

We hope to use the reprints from the WILPF block in our final publication. So watch this space!
Review by Sarah Bartey

This project is supported by the National Lottery through the Heritage Lottery Fund ‘Young Roots’ scheme


Planning the publication blog by Abigail Brook-Petty

Following our visits to the Peace Museum and the Liddle collection, on Thursday 20th April we began to plan how our publication will look and discussed what it will contain. The session started with a chat about the images we thought were most relevant and should be included in the publication. This was done by using stickers to mark our favourite images and photographers we had previously learned about. We were then introduced to Andy the designer of our publication and we discussed potentially how the images would look as well as initial ideas for front covers etc.

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Following this discussion Andy showed us a collection of publications he has designed which included interactive books and newspaper like publications. Seeing the wide range of possibilities got us thinking about what we want the publication to achieve as it will be distributed to every secondary school in Bradford. We spent some time discussing ideas taken from publications we had looked at.

After deciding some initial ideas we moved into the meeting room in the library and carried on looking at publications. After a long break and tea and cake we had a discussion session about exactly how we want the publication to look and we wrote down ideas we were interested in on large pieces of paper.

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We discussed that we wanted to keep the publication in keeping with the albums we had seen at the Liddle collection by putting one of the images on the front cover. We also decided that another interactive section could include letters and prints created by the Women’s International League for Peace and Freedom printing blocks we found in the peace museum archive. There may also be a mini guide which will be created by New Focus members which explains how to use an archive. Other elements we have decided to put in the, publication include a timeline showing womens journeys through the war. We may also include a map as some of the albums in the archives had images from areas mainly in Europe where nurses we had researched were sent to work. We have also decided that the publication should be bright and colourful to help make the publication interesting and appealing with colours that are relevant for example the colours of nurses uniforms.

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At the end of the meeting we came up with 5 buzzwords about how we want the publication to feel. The words we decided on were welcoming, informative, eye catching, interactive and hand-made. We would like to make the publication feel unique and not mass produced and these words will help us to write the publication brief after we have visited the Imperial War museum archive in May.

Review by Abigail Brook-Petty

This project is supported by the National Lottery through the Heritage Lottery Fund ‘Young Roots’ scheme

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Imperial War Museum Digital Archive meeting, Thursday 13th April 2017. Review by Mollie Wiggins

 

Firstly, we met at Impressions Gallery at 2pm and used the facilities available at Bradford Library to look at the online archives at the Imperial War Museum in London. We split into three groups and began to each look at either Florence Flanborough’s work, Mairi Chisholm and Elsie Knocker’s work or Olive Edis’ work. We then each picked a picture and began to answer specific questions on this work.

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We did this for an hour and half and then began to watch some videos we had found on Mairi and Elsie. These videos featured them having a fun time during the war, and even showed them riding motorcycles, as we had learnt that they had previously, before coming nurses, been professional motorcyclists. We also listened to an audio recording of Mari which was very interesting. She talked about her experiences within the First World War alongside her best friend, Elsie, and how she was in a way “being a grouse” (being shot at)and was joking about not being killed during the war. She explained how they never left the ambulance and was just there to help the soldiers but had an inspiring companion to help her during this time. We also listened to an audio recording of Florence Farnborough. She sounded very posh and came from a very wealthy background in Buckinghamshire. She spoke about how she had met a Russian family during the war and wanted to go to their country to explore.

Following this we fed back the information we had all written about within the first half of the session. We found out that Olive Edis photographed woman mainly and her photos were very serious as she chose very powerful subject matter to capture. We looked at an image of woman engineers working on First World War aircrafts, this reflected other sources we had studied before at different archives. From this set of photos, we learnt that her work evolved during the period and she set her mind to taking these photos, and therefore was very inspiring. We then began looking at Mairi Chisholm’s work. She mainly took images of Elsie and vice versa. As a result, all her work was very casually staged and therefore all her photos were very reserved and calm. In one of her images she had climbed a tree and took a gripping image of a 19 foot shell hole, this showed she was very curious and wanted to capture everything about the war she could.

Finally, we looked at Florence Farnborough’s images. We learnt that she had moved to Moscow and become a nursing sister, even teaching Russian children. We looked at a photograph she had taken of soldiers getting their haircut, this showed a part of the soldier’s lifestyle we had never seen before, they also had a pet goat and this showed they were caring. In a way, this photo showed that the soldiers had to adapt their home lifestyles to fit the war lifestyle. Another image we looked at was very graphic, showing a deceased soldier in a trench, this showed what everyday soldiers had to witness and the traumatic events which happened. The images overall showed she was very adventurous and interested in travelling and was interested in helping others rather than focusing on herself.

Review by Mollie Wiggins

This project is supported by the National Lottery through the Heritage Lottery Fund ‘Young Roots’ scheme

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